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Safwan Javed and Earl Pereira of Wide Mouth Mason Interview

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January 2001  |  0 Gossip
Filed Under: Celebrity

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Wide Mouth Mason

The Facts

Names: Safwan Yasir Javed, Earl Alguzar Pereira

Birth Dates: April 13, 1974 [Safwan]; December 3, 1974 [Earl]

Birth Places: Prince Edward Island, Canada [Safwan]; Saskatoon, Saskatchewan, Canada [Earl]

Their Big Break: Debut self-titled album [1996]

Did You Know: There is a third member of the band, Shawn Matthew Verreault

SAFWAN JAVED &
EARL PEREIRA OF
WIDE MOUTH MASON
Wide Mouth Mason, that great Canadian band we all know and love, recently toured along side The Moffatts during the month of January. We had the opportunity to sit down and chat with Safwan and Earl about the tour, their new record Stew, as well as their Juno nomination. Whatever you do, don't make the mistake of calling this trio from Saskatoon Ska straight ahead rock group. Their music is so original and diverse, they couldn't possibly fit into just one genre!

PHOTOS: TYCP
L-R: SAFWAN JAVED
AND EARL PEREIRA
JANUARY 2001

Congratulations on your Juno nomination! Did you expect it? What are some of the feelings you have about that?
Earl Pereira: No! When The Junos come around I don't even notice. A few years ago we were nominated for something and the whole experience of being there wasn't all that great.

It was weird to see yourself, a history of your last six years, documented. -- Safwan Javed

Do you plan on going this year?
Earl: If we're in the area we probably will, but if not, I'll just stay home and watch it.

Do you have any hopes of perhaps winning that Juno?
Earl: No. I never have any hopes that we're going to win anything. I hate competitions like that. That's why I got out of sports 'cause I was tired of the competition. Now it's happening all over again.

Do you think there's another band that deserves your nomination?
Earl: If I knew what records were out, it all depends on time lines, how a band gets nominated; if your record comes out at a certain period of time. I think they made all the right calls, Treble Charger...

If you could nominate a record, any record, if there were no limitations?
Earl: Jeez, you know what? I haven't been listening to much Canadian rock music. Really, to tell you the truth, I never really did. I'm not a big fan of Canadian rock. I like listening to '70s funk, The Beatles, stuff like that. I'd rather put on a Bob Marley CD before I put on Sloan. Not to say they're not a great band, 'cause they are, but I go for the classics. I grew up with blues and jazz-oriented stuff. Bands that do that like Philosopher Kings. I just wish there was more of it. People seem to think that if you're from Canada, you should play Bryan Adams Canadian rock. What really pissed me off was when we first got interviewed by Bill Wylicka, when our first record came out, he said "Yeah, so you guys are straight ahead rock." No. This one song may sound like it to you. But there are a lot of great Canadian bands. I just talked to my friend Bob today, he called me, he's from 54-40. He just called to congratulate me on my Juno nomination and I congratulated him right back. It was like:
Do you think you're gonna win?"
"No. Do you think you're gonna win?"
"Not a chance! It's either The Hip or Treble Charger!"

Earl Pereira

There's a lot of controversy right now in the music industry regarding Napster. What are your views on the whole free music trade?
Safwan Javed: I love Napster! I think Napster's great! In the history of music, in the history of the music industry, things like new technology is what moves it forward. Be it CD development, digital music, digital creation, all that stuff. All this is gonna do, is move the industry forward. Everybody that says otherwise is just scared because they don't want to move forward. If you're a big gigantic band, you'd be fased. I can understand why Metallica and Dr. Dre are fased 'cause they sell a lot of albums, and now they're selling a lot less albums 'cause you can get their stuff for free. For everyone else, it shouldn't make a difference. They should be actually applauding Napster, 'cause like I said, it makes the whole thing move forward, which is good for music.

Do you think you guys have reached your artistic climax or do you still expect it to come?
Safwan: It's still coming. We're still building. This last album is finally the first one where I think we all rolled out going "Yeah! That's what it's supposed to sound like!" So, wait till we get some time and a little more of a vibe where we can experiment a little more. We're still waiting for our climax. We're still learning.

You guys released Change a little while back and it's been doing well so far. Do you have any plans to release another song in the near future?
Earl: Yeah, we do. It's just that picking songs is always tough for us. It's like picking your favorite kid, and it's hard to do. So whichever one comes up. There's songs in the running. The best way for us to judge, is to go to our website and see what the fans think. That's how Change was picked.

Do you visit your site a lot?
Earl: Quite a bit. Saf's our website master.
Safwan: I'm a bit of a webmaster.

Safwan Javed

Tom Drummond, he designed your album cover which is really nice. Did you have any imput on how it looked, or did you just kind of leave it up to him?
Earl: We put a lot of input into it and we left the rest up to him. It was just great to finally sit down with him, because we'd been doing it over the phone for months and it was getting hard and nothing was getting done. You've gotta sit down with him and just watch him do something. To watch him do it on-the-spot in five minutes was pretty mind blowing.

So you basically had your album drawn in five minutes?
Earl: Yeah! He just sketched it!
Safwan: The basic concept. For one thing, you spend about a week, week and a half, doing the finer details. With people who are doing creative stuff, putting in creative imput into the whole project, be it visual or audio wise like an engineer or producer, video directors, graphic arts designers, artists who are drawing covers, whatever it happens to be, you want to leave them a little bit of leeway to do what their craft is. Give them a little bit or artistic license to go experiment with some stuff. Other than that, you want to make sure they're in the same head-space and going in the same kind of direction as you want.

If you guys could write a theme song for any movie ever made, what movie would it be?
Safwan: That's a good question. That's tough man! I'd say Shaft is probably right up there. I would of love to have done Shaft. The next Shaft, any special movie I love, any Bollywood stuff, cause they need to up that. We gotta modernize that stuff. Of course, they got the flavor and stuff, but it's not quite in the main market. You bring those two together. And then maybe a nice kung fu flick. Maybe a Jet Li movie, Bruce Lee...
Earl: Yeah! Jackie Chan!
Safwan: I would've like to do that Crouching Tiger one. That would've been a cool one to write the soundtrack for. Nice question!

Earl Pereira

What Did you get a chance to watch the CBC special, Wide Mouth Playing With Poison?
Safwan: We saw it before. We didn't get to see it that night, 'cause there was a Knicks game on. We were both watching that. We saw it a year before when we first finished it.
Earl: What do you mean you guys and poison?
Safwan [to Earl]: It was titled Wide Mouth Mason Playing With Poison.
Earl: You're not thinking of the band Poison, are you?

Oh no. That's what it was titled...
Earl: Oh okay, good!
Safwan: Yeah, it was cool! It was weird to see yourself, a history of your last six years documented. It was just weird to see all the different hair 'dos and just ways of acting and stuff like that, even musically. It's kind of like having a video journal without you having as much say in what's shown and what's not. I think they did a really good job. It showed a sort of behind-the-scenes thing, which was pretty cool to see of what the business itself, and what the industry's like, and what people try to do.

A lot of your fans seem to really like it.
Safwan: Yeah. I think it's because it was such a naked look.
Earl: For really, really hard core fans, it was stuff they already knew. They were hunting for a more in-depth look. I think they were kind of disappointed in what they finally got to see.

Earl Pereira and Safwan Javed

A few years ago, you were playing for small audiences at your graduation. Do you like the small audiences or do you prefer the big ones your playing to, like at tonight's show?
Safwan: I like how we're at the point where one night, we'll be playing for 2-300 people and another and the next night, we're playing for ten thousand. It's good, because it gives you the contrast. At a big show, like at the Skydome or the Air Canada Center, there's that incredible rush that when you play something or when you walk out, you just hear "Haaaaaaa!!!" Two-hundred people can't do that. Even if they're all sitting there literally going "Haaaa!!!" It just doesn't sound the same. But then, at the same time, in a small room you can see the whites of peoples' eyes and you can see people sweating. You can see the impact of individual people with your music. They interact with you, they give you energy back. It's a whole different vibe.
Earl: Basically, as long as we're into it and whoever's there's into it, it doesn't matter how many people there are.

When will we see Wide Mouth Mason headlinging their own tour across Canada?
Safwan: We're planning to do our own national tour in fall, but we're just in the process of making plans for it. Probably in the summertime you'll see us at festivals, maybe a couple of shows, then like I said, fall. We'll see what happens though. This is a funny business. I don't even know what's happening as soon as this tour's done.

We heard about your problems in the States, and how that just didn't work out.
Safwan: Who knows. At any point, anything can happen. You just kind of play it by ear and always make sure you have lots of luggage!

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